I'm four days back from Indonesia. Four days in Bali, about five in Java, still kickin'! I love being out and moving again. The exhaustion of bus-sleep-train-sleep-no-sleep can't get to me too much - the excitement of that sensory whirlwind keeps me awake.
Which isn't to say I didn't sleep for 18 hours when we got back to the apartment in Kuala Terengganu.
But that's the end of the story.
I went on the trip with five other ETAs - my flatmates Stephy and Graham, along with Ruthie (Kijal), Maggie (Chalok), and Shelly (Marang). We left from KT Thursday morning, and after skipping through KL made it to Bali at 6:30 at night. The sun was going down over an eerily frozen ocean - waves ceased at mid-crest, the broad tails of currents uncurled on the open water - pooling around the sudden green hills of Bali. Made a turn over Lombok island, 2 hours out by boat, 8 minutes by plane, before we landed in Denpasar. Already night at the taxi station.
And there we were cheated our first time. After paying 1/4 of all our budgets just to get into the country, we were brutally but inavoidably overcharged for a night ride to Ubud, where we would stay for the remainder of our time in Bali. I'm a hawkish bargainer by now. Really, the skills I'm accumulating ....
We stayed at Wena Homestay, which cost around $3.50 American dollars per person for a charming, stony little courtyard with ponds and porches and ... puppies! Yes! There are no dogs in Kuala Terengganu, needless to say. More on them later.
Ubud is a windy, touristy little town packed with little boutiques (three Dolce & Gabbanas, interestingly, all presumably fake, though how would I know? I own Ray Bans now!). It's apparently been an international artists' Mekka for some time, but it's really a jungly, fun little place, and a good hub if you have only a few days on the island. A good number of the little towns in Bali seam their streets with temple wall after temple wall - florid narrow doorways leading into shady courts, and surely a few odd little secrets. You go to Bali and expect perhaps that there are the "main" temples, some "mid-sized" temples, and then the few village ones that are improvised and cement-block modern. At least, that's what I expected, because that's what most other places in the world are like - the tourist "sights," and then life as normal. Bali is not like this. Perhaps because even their conquerors, for the few decades they kept their grip, embraced the culture there. Perhaps since then they've been indulged - remained Balinese, became more Balinese, never Indonesian, never part of any whole beyond their island, which their gods have deemed the center of the Earth and the door to Heaven.
Toward one of these little doors Graham turned on instinct that first morning. We crossed the street, slipped in, and found ourselves in the Ubud Water Palace. [Future Self: Insert picture here.] Water lilies and broad, lush lilypads framed a walk up to the main structure, a towering central doorway flanked by two smaller entries, stairs guarded by two roaring wild Balinese-Hindu long-toothed bulb-eyed gods. We slipped in behind, where we found a courtyard with many smaller altars, each decorated differently and for some different purpose, most with a miniature stairway, a small gate.
These would become more familiar to us. But not one altar had its replica. Each seemed designed according to some unique idea in the creator's mind - still in development perhaps, able to sprout new heads and tie on layer after new layer of meaning and history with each new visitor. [Look for lots of badass pictures here later, ye who wander here too soon for my sassy internet's tastes.]
Later with Ruthie and Shelly we made it up to Guning Kawi, a collection of 11th-century carvings, 30 feet tall and softened with age on a stone face, skirted by a newer temple, cradled by a clear little creek in a nest of electric green rice paddies. The driver took a back road, one-way (but functioning as two-way) and pothole-ridden, as we would find the majority of Balinese and Javanese roads are, that ran along what the driver explained was only one temple, but was a maze of small family temples in one collective, for more than a mile. The women walking along this road wore sarongs slung more carelessly, and comfortably, around themselves than you would ever see in Malaysia, where they're really never worn outside the house, and with them wore transparent lace shirts with only bras beneath them. We were in awe at that - and jealous, because it's so much more appropriate to 100-degree weather than, say, a baju kurong. And just as I've seen the most impossibly heavy and gigantic loads speeding by on motorcycles, I've now seen a five-foot-long, three-foot-tall bundle of branches balanced on top of one small Balinese woman's head.
The vendors that afternoon at the market in Ubud were almost as aggressive as the woman at Guning Kawi who tied a sarong on me and wouldn't let me take it off until I paid her an outrageous price for it (we found out only too late that we were expected to wear sarongs in the temples). We came to realize that if you touch ANYthing, the bargaining begins there, and it begins far too high. Also, expect to be chased. Though the price will usually go down by 75 percent if you walk far enough. The vendors were pretty desperate to sell, it seemed to me - it's still a few months before the height of the tourist season, and I wonder how long it's been since a harvest. The crops seemed in all states of growth as we toured the island.
The first night we saw a fire dance performed in one of the temples - a more dramatic than "junglic" performance, I'd say, but hey, everyone's allowed some artistic license. White monkey gods, Rama, quivering poised maidens all made their appearance in a crowd of men meant to represent the tribal Balinese. All the while they affected a multilayered, hypnotic chant, one voice raising a wild, fearful cackle intermittently and an outrageous storyteller's growly wail illustrating the tales of the gods. At the end, they did a performance of what I think could be called the "real thing" one man holding a horse of husks on a bamboo frame, who keeps running at thebright coconut-shell coals that other men have swept up, scattering the pile and sending fiery streaks through the dark. Sweep sweep, then a stomping of hooves, and charge! Until at last he is pacified, the horse frame is taken, the man sits stunned, until he is blessed with holy water, he stands, is whole again.
That was our second night in Bali.
More to come, very soon. I'll even come back to this freezing internet cafe if I must. Meanwhile, keep watch. And thanks for reading.